All posts tagged konstfilm

Call for Mobile Films.

by Anders Weberg on September 19, 2011 in Links, Mobile films with No comments

Mobile Innovation Network Aotearoa [ MINA ]

Call for Mobile Films:
International Mobile Innovation Screening 2011
23rd – 26th November 2011
Film Archive, Wellington, New Zealand
[filmarchive.org.nz]

The International Mobile Innovation Screening 2011 will showcase films produced on, for and with mobile devices by international filmmakers such as Dario Apostoli (Italy), Camille Baker (Canada/U.K.), Bebe Beard (U.S.A.), Felipe Cardona (Columbia), Louise Botkay Courcier (Brazil), Ayran Kaganof (South Africa), Adam Kossoff (U.K.), Anne Massoni (U.S.A.), Sylvie Prasad (U.K.) and Anders Weberg (Sweden) amongst others. In addition MINA will feature selected mobile film screenings from the Mobilefest (Brazil), Mobile Screenfest International (Australia) and Ohrenblick (Germany). The program is curated by the Mobile Innovation Network Aotearoa [MINA], which aims to explore the possibilities of interaction between people, content and the creative industries.

Deadline for submission of Mobile Films: 30th September 2011

Please send proposals of approximately 250 words including the mobile film title, two still images, link to online preview (if available) and a brief biographical note to max@mina.pro

Contact Max Schleser for further assistance regarding submission enquiries relating to mobile films [email: max@mina.pro | mobile: +64 [0] 22 692 0872].Work can be sent in digital format, via post or courier:

Dr. Max Schleser
c/o MINA
Institute of Communication Design
Po Box 756
Wellington, New Zealand

Call for Papers:
[ MINA ] Symposium
26th November 2011
Film Archive, Wellington, NZ
[filmarchive.org.nz]

As part of the International Mobile Innovation Screening, the [ MINA ] symposium will also take place on the 26th November 2011 in the Film Archive in Wellington.

The symposium will provide a platform for filmmakers, artists, researchers, ‘pro-d-users’ and industry professionals to debate the prospect of wireless, mobile and ubiquitous technologies in art and design practice and the creative industries. [ MINA ] invites paper proposals relating to mobile technologies, mobile creativity and mobile filmmaking.

Mobile aesthetics entered the mediascape from 2004 onwards and illustrate innovation in the creative application of wireless, mobile and ubiquitous technologies. Within the last decade mobile video technology developed from a low-res 3gp video format to HD video and simultaneously embraces the shift towards web 2.0/3.0. In 2006 mobile phones outnumbered the volume of film and digital cameras combined, whilst industry research forecasts a continuous development and innovation in the area of mobile technologies. Yet no industry standards for production and consumption of the emerging video format have been established. Concurrently a proliferation of creative mobile media practices surfaced within the field of documentary filmmaking, art and design practice.

Paper proposals should be submitted by the 30th September 2011. Please send a proposal of approximately 250 words with a title and brief biographical note to max@mina.pro

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Relaps

by Anders Weberg on September 13, 2011 in Mobile films with No comments

Monday in random order as seen through an iphone in low res.
Sound in Ableton Live.

By Jean Pichot

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Illusion [2011] by Anders Weberg. Filmed with the iPad 2.

by Anders Weberg on July 28, 2011 in Mobile films with No comments

Illusion
2011/07/29
Video and Sound by Anders Weberg
00:48, Loop

Filmed with the iPad 2

weberg.se
weberg.se/​portfolio
twitter.com/​andersweberg
facebook.com/​artist.anders.weberg

(b.1968)
Anders is an artist working in video, sound, new media and installations and he is primarily concerned with identity. The human body lies at the root of projects that formally and conceptually chart identity and its construction as a preamble to broaching matters of violence, genders, memory, loss or ideology in which personal experiences co-exists with references to popular culture, the media and consumerism. Specializing in digital technologies, he aims to mix genres and ways of expression to explore the potential of audio visual media.

He coined the term Peer-to-peer art or (p2p art) in 2006. Art made for – and only available on – the peer to peer networks. The original artwork is first shared by the artist until one other user has downloaded it. After that the artwork will be available for as long as other users share it. The original file and all the material used to create it are deleted by the artist. ”There’s no original”. Six films with a duration between 45 minutes and 9 hours have been uploaded on the file sharing networks in one copy and their original have been deleted. P2P Art – The aesthetics of ephemerality.

Also the founder and curator of the Stian [con]temporary art gallery.

Currently based in the small village Kölleröd in the south of Sweden and has exhibited at numerous art/film festivals, galleries, and museums internationally, including:
Museum of Modern Art 2011, Buenos Aires, Argentina. File Brazil 2007-2008-2011, São Paulo, Brazil; FutureEverything 2010, Manchester, UK; National Museum of Contemporary Art 2010, Athens, Greece; Beijing Contemporary Art Centre 2010, Beijing, China; Cape 09 Art Biennale, 2009, Cape Town, South Africa; Biennale of Sydney 2008, Sydney, Australia; National Museum, Szczecin, Poland; [10th] Japan Media Arts Festival, Tokyo, Japan; 13th Barcelona International Festival of Advanced Music and Multimedia Art, SONAR, Barcelona, Spain; Scope New York, US; Museum of Contemporary Art (MAC), Santa Fe, Argentina; Pocket Films , Centre Pompidou, Paris; Videoformes, Clermont – Ferrand, France and EMAF, European Media Art Festival, Osnabrück, Germany.

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burning the black hills – six times zero – video by Anders Weberg

by Anders Weberg on May 1, 2011 in Mobile films with No comments

Burning the black hills
by Six times zero
sixtimeszero.com

label: Echozone

2011-04-28
Video by
Anders Weberg
weberg.se

Filmed with a mobile phone. Nokia n8.

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Expose Yourself

by Anders Weberg on March 15, 2011 in Mobile films with No comments
expose_yourself_3

Expose Yourself
Video and Sound
by Anders Weberg
weberg.se

18 people from 11 different countries answered an open call where they where asked to interpret “Expose Yourself” in front of a mobile phone camera and send it to me.
I then in turn, Re-interpreted their interpretations and added “my Self”

The participants from the following countries: Spain, Canada, Italy, Denmark, UK, Germany, Sweden, US, France, Portugal and South Africa.

ANTTI SAVELA, AREA ERINA LÓPEZ PINO,
BO G SVENSSON, CLINT ENNS, OSVALDO CIBILS, WILLIAM ESDALE, THORE SONESON,
WOLF D. SCHREIBER, SHEER ZED, ALEX BUHL, CORINNE DE SAINT ANGEL, JOSE VIEIRA, EVA GRIP, NICLAS HALLBERG, ALISON WILLIAMS,
STAFFAN LAGER, MOTOKO ISHII AND SHARON SEKHON.

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Silent Treatment – Anders Weberg

by Anders Weberg on March 1, 2011 in Mobile films with No comments
silent_treatment_2

Filmed with a Nokia N8
Video and Sound
Anders Weberg

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Impressions [Gothenburg] by Anders Weberg [Nokia N8]

by Anders Weberg on February 11, 2011 in Mobile films with No comments
impressions_gbg_1

Impressions [Gothenburg]
Gothenburg -Sweden
2011/02/02
Duration: 03:00min.

Filmed with the NOKIA N8 mobile phone in Gothenburg, Sweden, 2011/02/02.
en.wikipedia.org/​wiki/​Gothenburg

Video and Sound
by
Anders Weberg

weberg.se
weberg.se/​portfolio
twitter.com/​andersweberg
facebook.com/​artist.anders.weberg
blog.recycled.se

(b.1968)
Anders is an artist working in video, sound, new media and installations and he is primarily concerned with identity. The human body lies at the root of projects that formally and conceptually chart identity and its construction as a preamble to broaching matters of violence, genders, memory, loss or ideology in which personal experiences co-exists with references to popular culture, the media and consumerism. Specializing in digital technologies, he aims to mix genres and ways of expression to explore the potential of audio visual media.

He coined the term Peer-to-peer art or (p2p art) in 2006. Art made for – and only available on – the peer to peer networks. The original artwork is first shared by the artist until one other user has downloaded it. After that the artwork will be available for as long as other users share it. The original file and all the material used to create it are deleted by the artist. ”There’s no original”. Six films with a duration between 45 minutes and 9 hours have been uploaded on the file sharing networks in one copy and their original have been deleted. P2P Art – The aesthetics of ephemerality.

Also the founder and curator for the Stian [con]temporary art gallery.

Currently based in the small village Kölleröd in the south of Sweden and has exhibited at numerous art/film festivals, galleries, and museums internationally, including:
FutureEverything 2010, Manchester, UK; National Museum of Contemporary Art 2010, Athens, Greece; Beijing Contemporary Art Centre 2010, Beijing, China; Cape 09 Art Biennale, 2009, Cape Town, South Africa; Biennale of Sydney 2008, Sydney, Australia; National Museum, Szczecin, Poland; File Brazil 07-08, São Paulo, Brazil; [10th] Japan Media Arts Festival, Tokyo, Japan; 13th Barcelona International Festival of Advanced Music and Multimedia Art, SONAR, Barcelona, Spain; Scope New York, US; Museum of Contemporary Art (MAC), Santa Fe, Argentina; Pocket Films , Centre Pompidou, Paris; Videoformes, Clermont – Ferrand, France and EMAF, European Media Art Festival, Osnabrück, Germany.

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The Sundays

by Anders Weberg on January 23, 2011 in Mobile films with No comments

Several sundays / 2010
Between October / November
Astoria / Manhattan
Iphone 4G Cam

Friends:
Reinaldo “El Rey”
Greg “conga”
Jason-el maldito “conga”
Arianna “conga”

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Window of Desire – Filmed with the Nokia N8

by Anders Weberg on January 7, 2011 in Mobile films with No comments
windows_of_desire_3

Window of Desire by Anders Weberg
Filmed with the Nokia N8.

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Mobile film – Shave – Bum Lee

by Anders Weberg on December 22, 2010 in Mobile films with No comments

Another good example that content is what matters.
Shave by Bum Lee

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