FiLMiC Extreme 50Mbit H.264 footage captured with FiLMiC Pro camera app on the iPhone 4S, edited in Final Cut Pro X. Basically just testing out grading options, sharpness, tonality, noise and flare etc. with the iPhone 4S as a serious filmmaking tool! The FiLMiC Pro app really makes a different.
All footage captured handheld and with the FiLMiC EXTREME quality option, encoding to H.264 at 50Mbit and variable framerate set to 24p. Noise gets all organic looking at such high bitrates.
Synopsis : The lady who has a black bag is sitting on the bench to take a bus in empty terminal. A man who appears suddenly steals quickly the lady’s black bag and runs away.
The man drives at high speed from the terminal to hotel across downtown
When the man arrives at a hotel room, a woman welcomes the man in the room. The woman lays the man on the bed and ties his both hands at bed.
After a while, she pierces his abdomen with a pointed gimlet with excitement and then go out of room with black bag which man stole ,however…….
‘Gulp’ is a short film created by Sumo Science at Aardman, depicting a fisherman going about his daily catch. Shot on location at Pendine Beach in South Wales, every frame of this stop-motion animation was shot using a Nokia N8, with its 12 megapixel camera and Carl Zeiss optics. The film has broken a world record for the ‘largest stop-motion animation set’, with the largest scene stretching over 11,000 square feet.
Anders is an artist working in video, sound, new media and installations and he is primarily concerned with identity. The human body lies at the root of projects that formally and conceptually chart identity and its construction as a preamble to broaching matters of violence, genders, memory, loss or ideology in which personal experiences co-exists with references to popular culture, the media and consumerism. Specializing in digital technologies, he aims to mix genres and ways of expression to explore the potential of audio visual media.
He coined the term Peer-to-peer art or (p2p art) in 2006. Art made for – and only available on – the peer to peer networks. The original artwork is first shared by the artist until one other user has downloaded it. After that the artwork will be available for as long as other users share it. The original file and all the material used to create it are deleted by the artist. ”There’s no original”. Six films with a duration between 45 minutes and 9 hours have been uploaded on the file sharing networks in one copy and their original have been deleted. P2P Art – The aesthetics of ephemerality.
Also the founder and curator of the Stian [con]temporary art gallery.
Currently based in the small village Kölleröd in the south of Sweden and has exhibited at numerous art/film festivals, galleries, and museums internationally, including:
Museum of Modern Art 2011, Buenos Aires, Argentina. File Brazil 2007-2008-2011, São Paulo, Brazil; FutureEverything 2010, Manchester, UK; National Museum of Contemporary Art 2010, Athens, Greece; Beijing Contemporary Art Centre 2010, Beijing, China; Cape 09 Art Biennale, 2009, Cape Town, South Africa; Biennale of Sydney 2008, Sydney, Australia; National Museum, Szczecin, Poland; [10th] Japan Media Arts Festival, Tokyo, Japan; 13th Barcelona International Festival of Advanced Music and Multimedia Art, SONAR, Barcelona, Spain; Scope New York, US; Museum of Contemporary Art (MAC), Santa Fe, Argentina; Pocket Films , Centre Pompidou, Paris; Videoformes, Clermont – Ferrand, France and EMAF, European Media Art Festival, Osnabrück, Germany.